NZTrio’s long-held desire to collaborate with celebrated soprano Emma Pearson in a performance of Strauss’ beloved Vier letzte Lieder has led us to commission our compatriot Salina Fisher to arrange these mighty pieces for trio and voice. In this concert, Four Last Songs, we present that hero-piece nestled within a fascinating and varied collection, dialoguing works for trio with and without soprano. 

In the first half of the programme, we fall into the ghostly embrace of Australian composer Elena Kats-Chernin’s The spirit and the maiden, before Fisher’s Kintsugi contemplates the process of thorough and painstaking repair leading to far greater strength and beauty than before. Two songs, A Mirage & Stella Viatoris, are a treat from American composer Amy Beach, before we bask in the lush melancholy of Rachmaninoff’s Vocalise, preparing us for Salina Fisher’s poignant arrangements of Strauss’ final works.

With the support of a generous patron, NZTrio has commissioned New Zealand composer Salina Fisher to write arrangements of Strauss’ beloved Vier letzte Lieder for piano trio, and presents these iconic works with celebrated soprano Emma Pearson.

<< BOOK TICKETS >>

NZTrio’s long-held desire to collaborate with celebrated soprano Emma Pearson in a performance of Strauss’ beloved Vier letzte Lieder has led us to commission our compatriot Salina Fisher to arrange these mighty pieces for trio and voice. In this concert, Four Last Songs, we present that hero-piece nestled within a fascinating and varied collection, dialoguing works for trio with and without soprano. 

In the first half of the programme, we fall into the ghostly embrace of Australian composer Elena Kats-Chernin’s The spirit and the maiden, before Fisher’s Kintsugi contemplates the process of thorough and painstaking repair leading to far greater strength and beauty than before. Two songs, A Mirage & Stella Viatoris, are a treat from American composer Amy Beach, before we bask in the lush melancholy of Rachmaninoff’s Vocalise, preparing us for Salina Fisher’s poignant arrangements of Strauss’ final works.

With the support of a generous patron, NZTrio has commissioned New Zealand composer Salina Fisher to write arrangements of Strauss’ beloved Vier letzte Lieder for piano trio, and presents these iconic works with celebrated soprano Emma Pearson.

<< BOOK TICKETS >>

NZTrio’s long-held desire to collaborate with celebrated soprano Emma Pearson in a performance of Strauss’ beloved Vier letzte Lieder has led us to commission our compatriot Salina Fisher to arrange these mighty pieces for trio and voice. In this concert, Four Last Songs, we present that hero-piece nestled within a fascinating and varied collection, dialoguing works for trio with and without soprano. 

In the first half of the programme, we fall into the ghostly embrace of Australian composer Elena Kats-Chernin’s The spirit and the maiden, before Fisher’s Kintsugi contemplates the process of thorough and painstaking repair leading to far greater strength and beauty than before. Two songs, A Mirage & Stella Viatoris, are a treat from American composer Amy Beach, before we bask in the lush melancholy of Rachmaninoff’s Vocalise, preparing us for Salina Fisher’s poignant arrangements of Strauss’ final works.

With the support of a generous patron, NZTrio has commissioned New Zealand composer Salina Fisher to write arrangements of Strauss’ beloved Vier letzte Lieder for piano trio, and presents these iconic works with celebrated soprano Emma Pearson.

<< BOOK TICKETS >>

NZTrio’s long-held desire to collaborate with celebrated soprano Emma Pearson in a performance of Strauss’ beloved Vier letzte Lieder has led us to commission our compatriot Salina Fisher to arrange these mighty pieces for trio and voice. In this concert, Four Last Songs, we present that hero-piece nestled within a fascinating and varied collection, dialoguing works for trio with and without soprano. 

In the first half of the programme, we fall into the ghostly embrace of Australian composer Elena Kats-Chernin’s The spirit and the maiden, before Fisher’s Kintsugi contemplates the process of thorough and painstaking repair leading to far greater strength and beauty than before. Two songs, A Mirage & Stella Viatoris, are a treat from American composer Amy Beach, before we bask in the lush melancholy of Rachmaninoff’s Vocalise, preparing us for Salina Fisher’s poignant arrangements of Strauss’ final works.

With the support of a generous patron, NZTrio has commissioned New Zealand composer Salina Fisher to write arrangements of Strauss’ beloved Vier letzte Lieder for piano trio, and presents these iconic works with celebrated soprano Emma Pearson.

<< BOOK TICKETS >>

NZTrio’s long-held desire to collaborate with celebrated soprano Emma Pearson in a performance of Strauss’ beloved Vier letzte Lieder has led us to commission our compatriot Salina Fisher to arrange these mighty pieces for trio and voice. In this concert, Four Last Songs, we present that hero-piece nestled within a fascinating and varied collection, dialoguing works for trio with and without soprano. 

In the first half of the programme, we fall into the ghostly embrace of Australian composer Elena Kats-Chernin’s The spirit and the maiden, before Fisher’s Kintsugi contemplates the process of thorough and painstaking repair leading to far greater strength and beauty than before. Two songs, A Mirage & Stella Viatoris, are a treat from American composer Amy Beach, before we bask in the lush melancholy of Rachmaninoff’s Vocalise, preparing us for Salina Fisher’s poignant arrangements of Strauss’ final works.

With the support of a generous patron, NZTrio has commissioned New Zealand composer Salina Fisher to write arrangements of Strauss’ beloved Vier letzte Lieder for piano trio, and presents these iconic works with celebrated soprano Emma Pearson.

<< BOOK TICKETS >>

NZTrio’s long-held desire to collaborate with celebrated soprano Emma Pearson in a performance of Strauss’ beloved Vier letzte Lieder has led us to commission our compatriot Salina Fisher to arrange these mighty pieces for trio and voice. In this concert, Four Last Songs, we present that hero-piece nestled within a fascinating and varied collection, dialoguing works for trio with and without soprano. 

In the first half of the programme, we fall into the ghostly embrace of Australian composer Elena Kats-Chernin’s The spirit and the maiden, before Fisher’s Kintsugi contemplates the process of thorough and painstaking repair leading to far greater strength and beauty than before. Two songs, A Mirage & Stella Viatoris, are a treat from American composer Amy Beach, before we bask in the lush melancholy of Rachmaninoff’s Vocalise, preparing us for Salina Fisher’s poignant arrangements of Strauss’ final works.

With the support of a generous patron, NZTrio has commissioned New Zealand composer Salina Fisher to write arrangements of Strauss’ beloved Vier letzte Lieder for piano trio, and presents these iconic works with celebrated soprano Emma Pearson.

<< BOOK TICKETS >>

NZTrio’s long-held desire to collaborate with celebrated soprano Emma Pearson in a performance of Strauss’ beloved “Vier letzte Lieder” has led us to commission our compatriot Salina Fisher to arrange these mighty pieces for trio and voice. In this concert, Four Last Songs, we present that hero-piece nestled within a fascinating and varied collection, dialoguing works for trio with and without soprano.

In the first half of the programme, we fall into the ghostly embrace of Australian composer Elena Kats-Chernin’s “The spirit and the maiden”, before Fisher’s “Kintsugi” contemplates the process of thorough and painstaking repair leading to far greater strength and beauty than before. Two songs, “A Mirage” and “Stella Viatoris”, are a treat from American composer Amy Beach, before we bask in the lush melancholy of Rachmaninoff’s “Vocalise”, preparing us for Salina Fisher’s poignant arrangements of Strauss’ final works.

With the support of a generous patron, NZTrio has commissioned New Zealand composer Salina Fisher to write arrangements of Strauss’ beloved “Vier letzte Lieder” for piano trio, and presents these iconic works with celebrated soprano Emma Pearson.

<< BOOK TICKETS >>

Programme
Elena Kats-Chernin | The Spirit and the Maiden
Salina Fisher | Kintsugi
Amy Beach | 2 Songs Op. 100 A Mirage and Stella Viatoris
Sergei Rachmaninoff | Vocalise
Richard Strauss (arr. Salina Fisher) | Four Last Songs (Vier letzte Lieder) TrV 296

Artists
Emma Pearson, Soprano
Amalia Hall, Violin
Matthias Balzat, Cello
Somi Kim, Piano

Hypnotique presents a diverse array of works that challenges expectations of traditional chamber music. A whirlwind of motion typifies NZ composer Lyell Cresswell’s virtuosic Moto Perpetuo, ahead of Fauré’s Piano Trio in D minor with lyrical elegance and lush harmonic textures, contrasting with the percussive and electronic influences in Le Boeuf’s jazz-adjacent Obliquely Wrecked.  Australian composer Elena Kats-Chernin pays homage to Haydn, blending classical and contemporary styles in Calliope Dreaming, then finally, the full Romantic immersion of Schönberg’s Verklärte Nacht is structured around the five stanzas of a poem; deeply transcendent and utterly beautiful.

The Programme

Lyell Cresswell (NZ) | Moto perpetuo
Gabriel Fauré | Piano Trio in D minor, Op. 120
Pascal Le Boeuf | Obliquely Wrecked
Elena Kats-Chernin | Calliope Dreaming
Arnold Schönberg | Verklärte Nacht arr. for piano trio

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Hypnotique presents a diverse array of works that challenges expectations of traditional chamber music. A whirlwind of motion typifies NZ composer Lyell Cresswell’s virtuosic Moto Perpetuo, ahead of the percussive and electronic influences in Le Boeuf’s jazz-adjacent Obliquely Wrecked. Australian composer Elena Kats-Chernin pays homage to Haydn, blending classical and contemporary styles in Calliope Dreaming, then finally, the full Romantic immersion of Schönberg’s Verklärte Nacht is structured around the five stanzas of a poem; deeply transcendent and utterly beautiful.

*please note this is a 1 hour version of the Hypnotique programme, with no interval.

The Programme (1 hour, no interval):

Lyell Cresswell (NZ) | Moto perpetuo
Pascal Le Boeuf | Obliquely Wrecked
Elena Kats-Chernin | Calliope Dreaming
Arnold Schönberg | Verklärte Nacht arr. for piano trio

<< BOOK NOW >>

Hypnotique presents a diverse array of works that challenges expectations of traditional chamber music. A whirlwind of motion typifies NZ composer Lyell Cresswell’s virtuosic Moto Perpetuo, ahead of Fauré’s Piano Trio in D minor with lyrical elegance and lush harmonic textures, contrasting with the percussive and electronic influences in Le Boeuf’s jazz-adjacent Obliquely Wrecked.  Australian composer Elena Kats-Chernin pays homage to Haydn, blending classical and contemporary styles in Calliope Dreaming, then finally, the full Romantic immersion of Schönberg’s Verklärte Nacht is structured around the five stanzas of a poem; deeply transcendent and utterly beautiful.

The Programme

Lyell Cresswell (NZ) | Moto perpetuo
Gabriel Fauré | Piano Trio in D minor, Op. 120
Pascal Le Boeuf | Obliquely Wrecked
Elena Kats-Chernin | Calliope Dreaming
Arnold Schönberg | Verklärte Nacht arr. for piano trio

<< BOOK NOW >>

Hypnotique presents a diverse array of works that challenges expectations of traditional chamber music. A whirlwind of motion typifies NZ composer Lyell Cresswell’s virtuosic Moto Perpetuo, ahead of Fauré’s Piano Trio in D minor with lyrical elegance and lush harmonic textures, contrasting with the percussive and electronic influences in Le Boeuf’s jazz-adjacent Obliquely Wrecked.  Australian composer Elena Kats-Chernin pays homage to Haydn, blending classical and contemporary styles in Calliope Dreaming, then finally, the full Romantic immersion of Schönberg’s Verklärte Nacht is structured around the five stanzas of a poem; deeply transcendent and utterly beautiful.

The Programme

Lyell Cresswell (NZ) | Moto perpetuo
Gabriel Fauré | Piano Trio in D minor, Op. 120
Pascal Le Boeuf | Obliquely Wrecked
Elena Kats-Chernin | Calliope Dreaming
Arnold Schönberg | Verklärte Nacht arr. for piano trio

<< BOOK TICKETS >>

Hypnotique presents a diverse array of works that challenges expectations of traditional chamber music. A whirlwind of motion typifies NZ composer Lyell Cresswell’s virtuosic Moto Perpetuo, ahead of Fauré’s Piano Trio in D minor with lyrical elegance and lush harmonic textures, contrasting with the percussive and electronic influences in Le Boeuf’s jazz-adjacent Obliquely Wrecked.  Australian composer Elena Kats-Chernin pays homage to Haydn, blending classical and contemporary styles in Calliope Dreaming, then finally, the full Romantic immersion of Schönberg’s Verklärte Nacht is structured around the five stanzas of a poem; deeply transcendent and utterly beautiful.

The Programme
Lyell Cresswell (NZ) | Moto perpetuo
Gabriel Fauré | Piano Trio in D minor, Op. 120
Pascal Le Boeuf | Obliquely Wrecked
Elena Kats-Chernin | Calliope Dreaming
Arnold Schönberg | Verklärte Nacht arr. for piano trio

<< BOOK NOW >>

Hypnotique presents a diverse array of works that challenges expectations of traditional chamber music. A whirlwind of motion typifies NZ composer Lyell Cresswell’s virtuosic Moto Perpetuo, ahead of Fauré’s Piano Trio in D minor with lyrical elegance and lush harmonic textures, contrasting with the percussive and electronic influences in Le Boeuf’s jazz-adjacent Obliquely Wrecked.  Australian composer Elena Kats-Chernin pays homage to Haydn, blending classical and contemporary styles in Calliope Dreaming, then finally, the full Romantic immersion of Schönberg’s Verklärte Nacht is structured around the five stanzas of a poem; deeply transcendent and utterly beautiful.

The Programme

Lyell Cresswell (NZ) | Moto perpetuo
Gabriel Fauré | Piano Trio in D minor, Op. 120
Pascal Le Boeuf | Obliquely Wrecked
Elena Kats-Chernin | Calliope Dreaming
Arnold Schönberg | Verklärte Nacht arr. for piano trio

<< BOOK NOW >>