Fast-paced programme a crowd hit

Zoom, the first of NZTrio’s 2016 Loft concerts did just that for a taut 70 minutes of music, with matching Zoom cocktails available at the downstairs bar for thirsty patrons. An enthusiastic audience enjoyed stylish playing as well as succinct and friendly spoken introductions to unfamiliar repertoire. Later, they could take part in some hip, up-to-the-second audience research, recording spontaneous responses to the evening on an array of VOXBOXes.

A Trio by American John Musto was a smooth aperitif, built around a virtuoso piano part that kept the able Sarah Watkins extremely busy. It was guilelessly eclectic, with a final, crowd-pleasing blend of boogie, tango and Gershwinesque peroration.

Wellington composer Chris Watson contributed a short piece with a long title — Schemata, Three Views of an Imaginary Object. These sonic snapshots instigated spirited, and occasionally feisty, musical discussion amongst the ensemble.

The inclusion of Epigrams, the final composition of 103-year-old Elliott Carter, was a typical NZTrio coup. Imagine a modernist, miniature and abstract Pictures at an Exhibition, each of its dozen character pieces expertly and exquisitely rendered. Highlights included the lurching physicality of the second piece and the wispy harmonic trail of the tenth; lyrical strings in the fourth and eighth revealed, in Watkins’ well-chosen words, major harmonies appearing like a halo out of nowhere.

After interval, an 1896 Trio by Schoenberg’s teacher Alexander Zemlinsky, revealed the highly-charged Late Romantic style that ultimately brought about twentieth-century modernism. Brahms admired the work, and it’s not hard to see why, especially when delivered with the passion accorded it tonight. However, one did miss the clarinet of the composer’s original scoring, its liquid, translucent tone the perfect foil for the fin-de-siecle richness around it.

 

William Dart, New Zealand Herald – 18 June 2016

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NZTrioSunday, May 28th, 2017 at 9:00am
A big shout out to NZ On Air and SOUNZ Centre for New Zealand Music for funding these Resound films of our 2016 FLARE adventure with Simon O'Neill. Performed live at the Great Hall of the Arts Centre of CHCH, this is Alex Taylor's transcription of Strauss's 'Four Lieder' Op.27. More to come.... https://vimeo.com/209649644
NZTrio
R. STRAUSS: Four Lieder, arr. ALEX TAYLOR
This is "R. STRAUSS: Four Lieder, arr. ALEX TAYLOR" by SOUNZ on Vimeo, the home for high quality videos and the people who love them.
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NZTrio
NZTrioSaturday, May 27th, 2017 at 6:06pm
Tuesday night's final performance with Justine was special in so many ways - it really felt like a celebration of the incredible music we have enjoyed and the enormous contribution she has made over the years. We were therefore enormously honoured to have been presented, on stage, with a citation and grant by The Lilburn Trust for outstanding services to New Zealand music - the first time in the history of the award that the citation has been given to an ensemble. We couldn't be more proud of our fellow composers, and we will continue to champion their vital and vibrant voices on stage throughout Aotearoa and the world. It truly is a privilege. Thank you!!
NZTrio
NZTrioThursday, May 25th, 2017 at 1:33pm
A big THANK YOU and fond farewell from Justine.
NZTrio
NZTrioWednesday, May 24th, 2017 at 10:31am
And that's a wrap for our beloved Justine. It was a beautiful #swansong and a room/theatre/bar(!) full of palpable love. Thankyou to all our wonderful guests, friends, family, and supporters for sharing it with us.
NZTrio
NZTrioTuesday, May 23rd, 2017 at 11:38am
A few tickets left for tonight's concert. Here's William Dart's review of Sunday's performance. Book here: http://bit.ly/booknztrio. See you there!
NZTrio
NZTrioMonday, May 22nd, 2017 at 2:42pm
Sarah leads a toast to Justine at last night’s concert 🍾🥂

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